During the 72 minute-installation all actors remain present, while only one voice speaks at a time. Between silence and the spoken word, the intrinsic tension of border zones is redefined and turned into a poetic exercise of alterity. The result is multidimensional: portraits of our time containing speeches and visions that bring revealing thoughts and insightful conversations about identity, revolution and desire in what feels like a personal confrontation with each actor.
The merging of literature, performance, film, the criss-crossing of time & genders, invites us to rethink our biases about one art form taking precedence over another. There is an interesting suspension between the real and the imaginary. The audience experiences the presence of all actors silently facing the public, confronting themselves with being present in silence as in their particular roles as one character speaks. The interaction which occurs amongst them generates the illusion that they are actually reacting to each other and maintaining a kind of dialogue.
Between theatre and film, literature and photography, voice, movement, and the diversity of cultures, we recognize in this piece the potential to create a global dialogue. Each actor’s choice is a reflection of their own culture, creating in this way a ‘cross-casted library of cultures’. Intercultural participation is an essential element of this installation. Each actor speaks the monologue in the language of his/her choice (English subtitling provided).
Gender Monologues was selected by ‘Dutch Manifestations Abroad’ with the Dutch Performing Arts Fund in 2016, making it possible to realize the pilot project in Rio de Janeiro in collaboration with TEMPO FESTIVAL, and including four distinguished Brazilian actors. The result was beyond expectation, reaching a total of 21,500 visitors in 13 weeks.
The presentation in Amsterdam involved twelve actors instead of six, creating new interactions and exploring other relationships of the monologues in dialogue amongst each another.